Time for my bi-annual re-watch of Cartoon Network’s Over The Garden Wall. (Those who are politically correct also watch it in September as the creators intended.) It’s a heartwarming story about two brothers getting lost in The
Time for my bi-annual re-watch of Cartoon Network’s Over The Garden Wall. (Those who are politically correct also watch it in September as the creators intended.) It’s a heartwarming story about two brothers getting lost in The
Louis Theroux: Inside the Manosphere is a compelling but uneven look at misogynistic online influencers and the young men drawn to them. The film effectively exposes an ecosystem where outrage and
Rating: +3 I flew to Melbourne last week to watch the 2026 f1 season opener in person, so here is my review of how it was run, and what they
Ok gang, let’s talk about Resident Evil Requiem. For starters, I’m a big fan of Capcom and have been playing their games for about 8 years now. I was first
There are no words to describe this event. I genuinely fked myself going to this concert because after this there won’t be any better concert to go to. Benito is a great guy, one
Propelled to the forefront of the whole electroclash/knitted sweater/no-its-not-indie-sleaze-dont-call-it-that London/New York “scene” with their two 2025 albums Basspunk 2 and Forever, Bassvictim’s Ike Clatman and Maria Monrow have had an open messiness to their image that
+4 Charli XCX’s new film The Moment is both a cringe-fest and a beautiful commentary on modern pop music, set to bratty beats we know and love. While the British popstar isn’t the greatest actress of all
1/5 The fourth season of Netflix’s Bridgerton takes us beyond the surface-level luxury of the Ton and into the servant’s quarters, showing us the Cinderella-esque Sophie Baek and her blossoming romance with one
-4/5 If you’ve had any internet access in the last few months, you would have heard of the mega-hit TV show Heated Rivalry. What you might not have heard about it, is that it’s pretty
Rating: +2 “Come Undone” reads every poster for director Emerald Fennell’s latest venture, a film adaptation of Emily Brontë’s 1847 novel, “Wuthering Heights”. But this tagline begs the question, “will I, really come undone?”. What
